In a previous lesson, and in Daniela's video lesson, we talked about aggettivi positivi, meaning those adjectives that end in o and change their endings according to gender and number. An example of this kind of adjective is grosso (big).
Mio padre è un uomo grosso (my father is a big man).
La casa di mia zia è grossa (my aunt's house is big).
Questi due alberi sono grossi (these two trees are big).
Quelle melanzane sono grosse (those eggplants are big).
If you've gotten the hang of positive adjectives, you might instinctively put an e ending on the adjective when you're talking about a feminine noun in the plural.
Quelle donne sono belle (those women are beautiful).
The other kind of adjective, called an aggettivo neutro, ends in e. In the singular, it stays the same, ending in e regardless of whether the noun it modifies is masculine or feminine.
E... mi ha reso una donna forte, una donna indipendente, autonoma.
And... she made me a strong woman, an independent woman, free.
Caption 69, Essere... madre
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If we put this sentence in the masculine the adjective stays the same:
Mi ha reso un uomo forte...
She made me a strong man...
But what about the plural? The adjective forte (strong) already ends in e, so what do we do? The answer is that in the plural, regardless of whether it's masculine or feminine, the e changes to an i.
This is easy in a way—only two different endings to think about instead of four—but it's not always so easy to remember, and may come less naturally. In the following example, maniera (way, manner) is a feminine noun. The plural article le helps us discover that. We form the plural of the noun by changing the a to e, and since the singular adjective ends in e, we change it to i in the plural. So far so good.
Però, oh, con voi ci vogliono le maniere forti,
But, oh, with you strong measures are needed,
sennò non capite.
otherwise you don't get it.
Caption 15, Ma che ci faccio qui! - Un film di Francesco Amato
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Attenzione però (and here's where the adjectives misbehave), because a feminine noun may also end in e. In this case, the plural of the noun ends in i, and a neutral adjective will also end in i. If you don't happen to know the gender of corrente (current) in the following example, the plural noun and plural adjective may lead you to believe that it's masculine.
L'incontro tra i due mari produce infatti forti correnti.
The meeting of the two seas produces, in fact, strong currents.
Caption 31, Linea Blu - Sicilia - Part 2
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Fortunately, in the next example, the speaker uses the article!
In questo tratto di mare
In this stretch of sea,
numerosi infatti erano gli affondamenti nel passato,
there were numerous shipwrecks in the past,
a causa delle forti correnti che si scontrano con violenza.
because of the strong currents that collide violently.
Captions 35-36, Linea Blu - Sicilia - Part 5
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Here, we've learned from the feminine plural ending of delle (of the), that corrente is a feminine noun, but who knew?
One more reason to learn the article along with the noun!
See these Yabla videos for more about nouns: their genders and their plurals.
Corso di italiano con Daniela: Articoli maschili plurale
Corso di italiano con Daniela: Articolo femminile plurale
Corso di italiano con Daniela: Articoli ed eccezioniMarika spiega: Genere maschile
Marika spiega: Genere femminile
Marika spiega: Il plurale
In Italian, as in English, there are past participles that are also adjectives.
Let's take the example of verbs rompere (to break) and vendere (to sell), which are both transitive verbs (verbs that take a direct object), and take avere as an auxiliary verb.
In the first example, we have the masculine noun il vaso (the vase). The adjective and the past participle are identical: rotto.
Hai rotto il vaso (you broke the vase or, you've broken the vase).
L'hai rotto (you broke it, or you've broken it).
Ora è rotto (now it's broken).
In the next example, la casa (the house) is feminine, so the ending of venduto/venduta will change when we use a pronoun in place of la casa, and when we use it as an adjective, which has to agree with the noun casa (feminine in this case).
Hai venduto la casa (you sold your house).
L'hai venduta (you sold it, or you've sold it).
È venduta (it's sold).
The verbs in the above examples take avere (to have) as a helping verb. When we have a verb that takes essere (to be) as a helping verb, like morire (to die), it can cause confusion, because the participle and the adjective look totally identical, including the verb essere (to be), but their function, and consequently their translation, are in fact slightly different.
In this week's episode of Commissario Manara, someone, as usual, has died, and is therefore dead. In English there are two distinct words, but in Italian the word is the same.
In the first example below, morto (dead) is an adjective:
È morto da almeno tre giorni.
He's been dead at least three days.
Caption 20, Il Commissario Manara - S1EP2 - Vendemmia tardiva
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But morto is also the participio passato (past participle) of the (irregular) verb morire.
E allora come è morto?
So how did he die?
Caption 2, Il Commissario Manara - S1EP7 - Sogni di Vetro
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The context will help you determine which translation to use, but it can be a bit ambiguous.
To add a bit of confusion, morto can also be used as a noun: il morto (the dead man, the dead person). In this case, there will be an article.
Le posso spiegare tutto,
I can explain everything to you,
però non subito perché c'è un morto che ci aspetta.
but not right now because there's a dead man waiting for us.
Caption 5, Il Commissario Manara - S1EP2 - Vendemmia tardiva
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In the case of morto as a noun, it tends to be masculine, but if we know the dead person is a woman, it's correct to say una morta, or if there are multiple dead people, i morti.
La morte (death) is not a pleasant subject, but it's important to know how to talk about it. Unfortunately, it's a word that's used too often oggigiorno (these days).
Further practice:
Do a Yabla search of morto, and try to determine whether it's an adjective, a participle, or a noun. Let the context help you.
In Italian, gender and number affect not only a noun and its article, but also the adjective describing the noun. We looked at some special cases in a previous lesson, which Daniela also discusses in her lesson series. But let's get back to general adjective behavior.
Adjectives fall into two categories: positivi (positive) and neutri (neutral). In simplistic terms, it's a way of dividing them according to their endings: o or e.
In this video lesson, Daniela starts out with the most common kind of adjective. She calls it an aggettivo positivo (positive adjective). It’s the kind of adjective that in its basic form (masculine singular), ends in o. Many of us are already familiar with this type: bello (beautiful, nice), piccolo (small), grasso (fat), magro (thin), alto (high, tall), buono (good), and so on. This kind of adjective matches up with its nouns in all four kinds of endings: masculine singular, masculine plural, feminine singular, and feminine plural.
Allora, quando parlo di aggettivo positivo
So, when I talk about positive adjectives,
vuol dire che un aggettivo positivo
it means that a positive adjective
è quello che ha tutte e quattro le finali.
is one that has all four endings.
Captions 41-42, Corso di italiano con Daniela - Aggettivi positivi e neutri
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These adjectives are easy to deal with because they are entirely predictable: the masculine singular ends in o. The masculine plural ends in i, the feminine singular ends in a, and the feminine plural ends in e, just like many of the nouns they describe:
Masculine singular:
Il vestito è bello (the dress is beautiful).
Masculine plural:
I vestiti sono belli (the dresses are beautiful).
Feminine singular:
La gonna è bella (the skirt is nice).
Feminine plural:
Le gonne sono belle (the skirts are nice).
It’s important to know the gender of the nouns you are describing. The good news is that much of the time the gender is easily determined by looking at the ending of a noun, as Daniela explains in this video lesson.
Even if the noun is absent but implied, as when you tell someone they look nice, the rule still applies!
If you’re talking to a man:
Sei bello (you're handsome).
If you’re talking to a woman:
Sei bella (you're beautiful).
If you're talking to two men:
Siete belli (you're [both] handsome).
If you're talking to two women:
Siete belle (you're [both] beautiful).
If you're talking to a man and a woman:*
Siete belli (you're [both] beautiful).
*Masculine reigns, even though it seems unfair.
It's easy to know the gender when referring to people. But don't forget that not only people have gender, but every kind of noun.
Il tavolo è alto (the table is high).
I materassi sono duri (the mattresses are hard).
La sedia è comoda (the chair is comfortable).
Le finestre sono aperte (the windows are open).
You can see why, when learning a new noun, it’s a good idea to learn the article along with it. "Positive" adjectives are the easiest ones to use, so they're a good place to start for understanding noun-adjective agreement.
Further practice:
After viewing a Yabla video, check out the Vocabulary Review. You’ll recognize the nouns, because most of them will have articles attached to them, whether singular or plural. Check out the adjectives, too. Can you pick out the positive ones? Hint: they'll end in o, because they're given in the masculine singular. While you're at it, why not go through the other endings (masculine plural, feminine singular, and plural) for each positive adjective you find?
Stay on the lookout for a lesson on aggettivi neutri, coming soon on Yabla. They're the adjectives that end in e, and they aren't quite as well-behaved as the aggettivi positivi.
Just in case you're getting discouraged:
Learning to speak correctly is important, but remember, communication is the real key. Don’t be surprised if you have trouble getting it all straight. For people coming from languages where gender is nonexistent, it’s a huge challenge to get genders right all the time, not to mention grasping how adjectives work. Don’t let your doubts stop you from using your new language skills.
There are two basic words for "wild" in Italian, and they're sometimes interchangeable and sometimes not. They're also rather similar in that the root is the same: selva (woods, forest).
One of the adjectives for "wild" is selvatico (wild, uncultivated, growing spontaneously, feral).
Sto cercando di renderla un po' meno selvatica
I'm trying to make it a little less wild,
e un pochettino più civile.
and a tiny bit more civilized.
Caption 27, Gianni si racconta - L'olivo e i rovi
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When there are two varieties of a plant such as finocchio (fennel), the wild one gets qualified with an adjective: finocchio selvatico.
Il Monte Pellegrino ospita centinaia di specie diverse di piante.
Monte Pellegrino hosts hundreds of different plant species.
Dal cipresso al pino, ci sono numerose pinete,
From cypress to pine, there are a number of pinewoods,
agli alberi di fico d'india, ai gelsomini, al finocchio selvatico,
to prickly pear, to jasmines, to wild fennel,
che da una sensazione di freschezza all'ambiente.
which gives a sense of freshness to the place.
Captions 25-28, Adriano - Monte Pellegrino
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Sometimes wild fennel is called finocchietto (becoming an altered noun, by means of the diminuitive suffix -etto) because the plant has a smaller bulb, and is of "minor" importance. Other times, though redundant, the wild kind of fennel is called finocchietto selvatico. This pianta spontanea (spontaneous, or wild plant) is an ingredient in many central and southern Italian preparations, from salame to minestre (soups), to castagne lesse (boiled chestnuts). It blooms in late summer, and if you wonder what part people use, well, they might tell you, "whatever part is on hand when you want to make your dish." The seeds are tasty right off the plant, but they can also be dried and boiled to make a refreshing and aromatic hot tea that aids digestion. It's one of those plants that's worked itself into a great many recipes, both humble and otherwise, because, in addition to being aromatico (aromatic) and gustoso (tasty), it grows just about everywhere, and is free for the picking! The bulb (the white part) of cultivated fennel is eaten raw in salads, in pinzimonio, or cooked in a variety of ways.
The other word for "wild" is the adjective selvaggio, especially referring to unrestrained people or savage animals, or places that have no law, or terrains that are particularly difficult to navigate.
Selvaggio can also be used as a noun, as in the following example.
Rapiti dal fascino dell'eterno selvaggio,
Captivated by the appeal of the eternal wild,
narrando delle culture con cui venivano a contatto.
telling of cultures with whom they came into contact.
Captions 4-5, Linea Blu - Le Eolie
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When referring to meat from hunted animals, for example cinghiale (wild boar), we use the term selvaggina (game), also called cacciagione (hunted meat).
Tavole imbandite senza posate, com'era uso,
Tables decked without silverware, as was the custom,
e con i cibi dei ricchi e dei nobili.
and with the food of the rich and the noble.
Paste reali fatte di pasta di mandorle,
Royal pastries made with almond paste,
anatre all'arancia,
ducks with orange sauce,
maialini farciti con spezie e molta selvaggina.
suckling pigs stuffed with spices and lots of wild game.
Captions 13-18, Linea Blu - Sicilia
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When you think about wild beasts, or when the words "savage" and "primitive" come to mind, then use selvaggio. When you think of spontaneous and wild plants, you'll want selvatico.
Becoming comfortable using possessive adjectives and personal pronouns in Italian can be a challenge because they work a bit differently then they do in other languages. To learn about them with Daniela, check out her series of lessons about possessive adjectives:
An important thing to remember regarding possessive adjectives is that Italian uses both an article and an adjective (think: the my book), which certainly takes some getting used to. So, "my book" would be: il mio libro. But there's an important exception. Daniela explains that family members get special treatment in terms of possessive adjectives:
Regola generale:
General rule:
l'aggettivo possessivo in italiano vuole sempre l'articolo,
the possessive adjective in Italian always needs the article
tranne in un caso, quando parlo della famiglia, della mia famiglia,
except in one case, when I talk about the family, about my family,
dei miei parenti stretti in singolare.
about my close relatives in the singular.
In questo caso non voglio l'articolo.
In this case I don't want the article.
Non dico: il mio padre, la mia madre.
I don't say: the my father, the my mother.
Dico: mio padre, mia madre.
I say: my father, my mother.
Captions 44-50, Corso di italiano con Daniela - Aggettivi Possessivi
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There is also another special case: an exception to the exception. When the nouns denoting family members become altered nouns (see this lesson about altered nouns), as in sorellina (little sister) instead of sorella (sister), or mamma (mom) rather than madre (mother), we put back the article!
Ho fatto una passeggiata con la mia sorellina.
I went for a walk with my little sister.
Mio fratello ci ha accompagnato.
My brother came with us.
See this article about mamma (not a totally clear cut case) and other family terms of endearment.
See this chart about possessive adjectives, summing up in English what Daniela has been talking about in Italian.
Here are some exercises to test your comprehension:
Try this online exercise.
Do a short quiz.
Take another short quiz.
Possessive adjectives are just plain tricky. Not only do you need to know the rules, but you need to get plenty of practice before they become second nature, so be patient with yourselves and you will slowly but surely start getting these pesky possessive adjectives right, more often than wrong!
An important staple of the Italian diet is il fagiolo (the bean).
There's a vast variety of beans in many shapes, colors, and sizes, with local names, but the principal ones are borlotti (pinto beans) and cannellini (small white beans). Other popular legumi (legumes) include ceci (garbanzo beans or chickpeas), lenticchie (lentils, of which there are many varieties), and fave (fava beans).
Note: In English, the word "bean" is generic and can represent all kinds of legumes from garbanzo beans to kidney beans. Beans are beans, kind of like nuts are nuts in English. But Italians distinguish among the different kinds.
While we're at it, let's mention i fagiolini (string beans, green beans). Since we eat the "pod," il fagiolino falls into the category of vegetables (verdura, ortaggi), nutritionally, even though, technically it is un legume.
When in season (late spring), cannellini and borlotti are sold fresh in their pods, da sgranare (to shuck), but in addition to being canned, they're found on the shelves of supermarkets and alimentari (small grocery stores or delis) in dried form. They get soaked for many hours, and then cooked for a relatively long time, in terra cotta pots (traditionally). They contain a fair amount of protein, so they're a great source of protein for vegetarians, as well as for people who can't afford to buy much meat.
Even the cooking water from the beans doesn't go to waste, but gets pureed with a portion of the beans themselves, making a great vegetarian brodo (broth) for the kind of soups that are particularly popular in Tuscany.
There's talk, in a video about famous Italian chef Gualtiero Marchesi, about the type of lunch that would be served in his parents' trattoria (small family-run restaurant), which catered to workers and consisted of humble ingredients and dishes.
...un ristorante frequentato, fondamentalmente,
...a restaurant frequented, fundamentally
da operatori di questo tipo,
by workers of this type,
quindi un ristorante dove si facevano panini,
therefore a restaurant where they made sandwiches,
dove si faceva la trippa,
where they made tripe,
e dove si facevano ... non so i fagioli.
and where they made ... I don't know, beans.
Captions 3-8, L'arte della cucina - La Prima Identitá
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La trippa (tripe), from the first stomach of the cow, is (or was) one of the more inexpensive animal proteins, which is why Gualtiero talks about it being a popular dish at his parents' trattoria. See this video (in Italian) about preparing la trippa!
Towards the end of April, if you hang out in Tuscany, you will see fava beans (da sgranare) in the produce section of supermarkets and dal fruttivendolo (at the fruit and vegetable market). On il primo maggio (May 1st), it's traditional to serve these fava beans, pods and all, at the table, where friends and family gather to celebrate the Italian (and international) holiday, La Festa dei Lavoratori or Festa del Lavoro. It's the equivalent of Labor Day.
Questa pianta viene comunemente chiamata baccello, ma in realtà il baccello è la buccia esterna, come lo è per il pisello ed altri ortaggi di questa famiglia.
This plant is commonly called "pod," but actually the pod is the external skin [shell], as it is for the pea and other vegetables of this family.
Captions 5-7, La campagna toscana Il contadino - Part 2
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Fagioli may seem like an unassuming, inexpensive, simple contorno (side dish), but when conditi (seasoned) with high quality olio extravergine di oliva (extra virgin olive oil), they become a delicious classic dish appreciated by diners all over Italy.
When someone asks you perché? (why?), you can recycle the same word in your response because perché also means “because”! Yes, two in one! Let’s look at the following example, where Daniela is asking her students to justify using one article over another. Make sure to look at the context and listen to the inflection!
L'articolo è uno. Uno scontrino, perché?
The article is "uno." "Uno scontrino" (a receipt). Why?
Perché la parola inizia per s più consonante.
Because the word starts with "s" plus a consonant.
Captions 54-56, Corso di italiano con Daniela - l'articolo indeterminativo
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So perché actually has two grammatical forms. One is as an adverb meaning “for what reason.” It’s used in forming a question:
Perché avete fatto il nido sulla lampada?
Why did you build a nest on the lamp?
Caption 11, PIMPA S3 EP 16 Nuvole a primavera
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The other grammatical form of perché is a “causal conjunction” meaning “because.” It’s used to introduce the cause when it follows the effect (which might be simply implied as in our first example above). If we use a full sentence to respond to the above question, it might go something like this:
Abbiamo fatto il nido perché a primavera devo fare le uova. (We built the nest on the lamp because in the spring, I have to lay eggs).
In the above example, “I built the nest” is the effect and “I have to lay eggs” is the cause, so perché (because) goes in the middle: effect-perché-cause.
But here’s the catch. If you want to put the cause first, such as when you’re explaining yourself without being asked, or elaborating on your reasons, then things change in Italian. In English you could technically start your full sentence answer with the cause, using “because.”
Because I have to lay eggs in the spring, we built the nest in the lamp.
However, in Italian you cannot use perché in this case. The word to go to is siccome (because, as, given that, whereas, or since), used exclusively to introduce the cause when it precedes the effect: siccome-cause-effect. Siccome and perché have similar meanings but are not interchangeable within the structure of the sentence. This may seem complicated, but once you get the hang of it, it will become natural. Here’s an example in context, where Lara is explaining her actions to Luca Manara.
Ginevra deve essere iscritta nella lista degli indagati
Ginevra must be recorded on the list of suspects
e deve essere interrogata,
and has to be interrogated,
e siccome non lo fai tu lo faccio io, tutto qui.
and because you're not doing it, I'm doing it, that's all.
Captions 17-19, Il Commissario Manara - S1EP3 - Rapsodia in Blu
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In the above example, you could replace “because” with “given that,” "as," “whereas,” or “since.” But you can’t replace siccome with perché!
As your Italian becomes more fluent, you’ll find siccome to be extremely handy when you’re telling stories and explaining things. There are other similar words to call on as well, but we’ll save them for another time.
Learning suggestion:
To get a feel for perché in both of its two contrasting but related meanings, “why” and “because,” check out their occurrences in Yabla videos (and figure out which is which). Do a search with siccome to get acquainted with it, and hear it in context. Then, to really grasp the mechanism, ask yourself some questions, and answer them. Get used to using perché as both the question “why” and the answer “because.” Then, elaborate on your answers using siccome and perché according to how you structure your sentence. Don’t forget the accent on perché!
Here’s a head start:
Perché sei così nervoso?
-Perché... è una storia lunga. Siccome avevo dimenticato di caricare la sveglia ieri sera, stamattina mi sono alzata tardi. E siccome avevo un appuntamento alle nove, non avevo tempo per fare colazione. Farò colazione al bar, perché ora ho fame. Dopo mi sentirò meglio, perché avrò la pancia piena. Siccome la pancia sarà piena, mi sentirò molto meglio.
Why are you so tense?
-Because... it’s a long story. Since I had forgotten to set the alarm last night, this morning I got up late. And because I had an appointment at nine, I didn’t have time for breakfast. I’ll have breakfast at the coffee shop because now I’m hungry. Afterwards I’ll feel better, because my stomach will be full. Since my stomach will be full, I’ll feel better.
To enhance your skills, make sure you practice ad alta voce (out loud), too.
Perché? Perché sì!
The Krikka Reggae, a cosìddetto (so-called) Italian reggae group, sing about their home region, way down in the heel of the boot of Italy, called Basilicata, also known as Lucania. They sing about their paese (country) and their terra (land), and even about the terra madre (native land). Let's have a look at some of the different connotations of these nouns.
Paese can be specific, meaning nation or country:
È Ravenna la città in cui si vive meglio in Italia.
Ravenna is the city in which one lives best in Italy.
... A dirlo è l'edizione 2014
... Saying this is the two thousand fourteen issue
della classifica delle città più vivibili del paese.
of the classification of the most liveable cities in the country.
Captions 20-22, Anna e Marika - in TG Yabla Italia e Meteo
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Paese can be specifically a town:
Eh, adesso ci troviamo ad Avella, un paese in provincia di Avellino.
Uh, right now we're in Avella, a town in the province of Avellino.
Caption 3, Escursioni Campane - Castello Normanno
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Paese can be more general, as in country, region, or area:
Poi scopriamo che la Liguria è il paese del basilico, è anche speciale.
Then we discover that Liguria is the country of basil, it's special, too.
Caption 43, L'arte della cucina - Terre d'Acqua
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Terra is often more general than paese, and gives the idea of homeland or home country, rather than hometown:
Per la tua terra lotti, per la terra combatti
For your homeland, you fight, for the homeland you struggle
Caption 31, Krikka Reggae - Lukania (Lucania)
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Terra can give you a more visual image of a place than paese:
Io vengo da una terra dove l'acqua è un bene prezioso.
I come from a land where water is a precious resource.
Caption 44, Gianni si racconta - Chi sono
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Terra can indicate the planet Earth.
Pare che l'unico poliziotto sulla faccia della terra
It seems that the only policeman on the face of the earth
che lo può risolvere sono io!
who can resolve it is me!
Caption 13, Il Commissario Manara - S1EP6 - Reazione a Catena Part - 2
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Terra can indicate ground or soil:
Forse è la terra.
Maybe it's the soil.
Questa specie di rose ha bisogno di molto nutrimento!
This kind of rose needs lots of nourishment.
Captions 7-8, Il Commissario Manara - S1EP6 - Reazione a Catena - Part 4
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The lack of clear cut definitions of terra and paese may make more sense if we remember that Italy became one nation, divided into regions, as late as the second half of the 19th century.
Keep on the lookout for paese and terra, and remember that they have slightly different meanings depending on the context. A Yabla search of a word is always a great way to get a quick overview of how it's used.
In a Yabla video, Marika talks about parole alterate (modified words). Modifying existing words by adding suffixes or prefixes is a very Italian way of creating new words.
Marika describes the different categories of altered nouns and what suffixes and prefixes go with them, and she gives you some tips on how they work. Instead of using a modifier in the form of an adjective, the noun itself gets changed. Here are some examples.
Pane (bread) in the form of a roll, with the addition of -ino, turns into un panino (a little bread). Panino has also become the word for sandwich, commonly made with a roll.
Un piatto (a plate), when full to the brim with pasta, with the addition of the suffix -one, turns into un bel piattone di pasta (a nice big plate of pasta).
Una giornata normale (a normal day) turns into una giornataccia (a bad day), by using the pejorative suffix: -accio/-accia:
Ieri ho avuto davvero una giornataccia.
Yesterday I had a really terrible day.
Caption 45, Marika spiega - Le parole alterate
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There are also altered nouns or adjectives called vezzeggiativi, from vezzo (caress), which are used as terms of endearment. The most common suffixes are: -uccio and -otto. Adding this suffix bestows something special, tender, and possibly intimate to a word. A teddy-bear, for example, is called un orsacchiotto, from orso (bear). A term of endearment for a person you care about might be tesoruccio, from tesoro (treasure).
In this week's segment of the popular Commissioner Manara series, Lara is back from the hospital after risking her life to save a dog from a burning building. Luca is so concerned that he lets his guard down.
When Lara comes into the office, Luca looks at her and sees that she's pale. But he doesn't just use pallida (pale) to describe her, he adds a suffix of endearment. It's quite subtle, but it's clear he cares.
Però sei un po' palliduccia, ah.
However, you're a bit on the pale side, huh.
Caption 35, Il Commissario Manara - S1EP6 - Reazione a Catena
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Speaking of suffixes and prefixes, let's have a quick look at a word used in another of this week's new videos. Massimo Montanari is talking about the art of cooking. He takes the verb padellare (to fry up something after it's already been cooked), from the noun padella (frying pan), then uses the prefix s to turn it into spadellare. It's a colloquial way of saying someone is managing the pots and pans on the stove.
La cucina, intesa non semplicemente come l'atto di spadellare, ma come...
Cooking, understood not simply as an act of working at the stove, but as...
il percorso complessivo che trasforma una ri' [sic]... una risorsa naturale.
an overall process that transforms a re'... a natural resource.
Captions 36-37, L'arte della cucina - La Prima Identitá
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Learn more about suffixes and prefixes in these Yabla videos:
Marika spiega: La formazione dei nomi - Part 1
Marika spiega: La formazione dei nomi - Part 2
Keep an eye out for the suffixes and prefixes in Yabla videos. Once you know the root word, you can expand your vocabulary in many cases, without having to learn new words, but by merely altering them!
In a previous lesson we discussed not being able to stand someone, using the verb vedere (to see):
Non lo posso vedere!
I can’t stand him!
In an episode of Il Commissario Manara, we hear another verb employed to express a similar sentiment: sopportare (to bear, to put up with, to tolerate). Lara is talking about her situation with Luca. She may be saying she can’t stand him, or that she can’t stand it (the situation).
Non lo sopporto!
I can't bear it/ I can't stand him!
Caption 34, Il Commissario Manara - S1EP6 - Reazione a Catena
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Another way to say this would be:
E’ insopportabile!
It’s unbearable/He's unbearable!
Another verb that is useful in this context is reggere (to hold, to hold up, to bear). Reggere, too, may be used when you can’t stand or bear someone or something.
Non lo reggo!
I can’t bear him!
I can’t bear it!
You may recall reading about retto as a noun in a completely different context in another lesson, but in the following example, retto is the participle of reggere.
Rodolfo non ha retto il peso della mia malattia.
Rodolfo couldn't bear the burden of my illness.
Caption 3, Anna presenta - La Bohème di Puccini
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It can mean physically holding something, as in:
Mi reggi questa borsa un attimo?
Could you hold this bag for me a moment?
Or holding onto, as in:
L'alcol, l'alcol, non lo regge, -Mh. Eh...
The alcohol, alcohol, he can't hold his, -Hm. Yeah...
si vede che... -Che, tu lo reggi?
it turns out that... -Because, you can hold yours?
Captions 48-49, Il Commissario Manara - S1EP4 - Le Lettere Di Leopardi
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Reggere is often used when talking about how sturdy something is.
Questa scala è un po’ marcia. Reggerà?
This ladder is a bit rotten. Will it hold up?
Sopportare and reggere are useful words in all kinds of contexts. Have a look at the online dictionary of your choice to get an even better grasp of them.
Just for fun:
Questo tetto non reggerà per molto. L’ho detto a mio marito, ma lui non sopporta l’idea di dover spendere soldi. Il suo atteggiamento lo trovo insopportabile, e non lo reggo proprio quando si comporta così. Vedremo per quanto ancora reggerà il tetto, e per quanto tempo ancora io potrò sopportare mio marito! Quasi quasi, se mi reggi questa scala, andrò io a dare un'occhiata al tetto!
This roof won’t hold up for long. I told my husband this, but he can’t stand the idea of having to spend money. His attitude I find to be intolerable, and I can’t stand him when he behaves that way. We’ll see how much longer the roof will hold, and for how long I’ll be able to stand my husband! On second thought, if you hold this ladder for me, I'll go and have a look at the roof myself.
Think about things you (and people you know) can or cannot put up with, and use sopportare and reggere to talk about it!
Avere a che fare con, which we discussed in a recent lesson, is rather similar in meaning to another turn of phrase: trattarsi di (to be about, to be a matter of, to be a case of), which is used in the impersonal third person singular. Being impersonal, it’s also a little bit more formal.
Let’s back up and look at other forms of this verb.
In its normal form, trattare (to treat) is transitive (meaning it takes an object).
Mi tratta male.
He treats me badly.
Followed by the preposition di (about, with, of, from), trattare di (to be about, to deal with, to talk about) is intransitive.
Il libro tratta di come costruire una casa.
The book deals with how to build a house.
If you substitute the verb parlare (to talk, to speak), it’s easier to grasp:
Il libro parla di come costruire una casa.
The book talks about how to build a house.
But, as mentioned at the beginning of this lesson, there’s also a way of using the verb with no grammatical subject, that is, the impersonal form: trattarsi di (it concerns, it’s a matter of, it’s about). It’s important to remember that with the impersonal, the actual subject is absent, although it gets translated with “it.” (Think of when we say "It's raining.")
Commissioner Manara is questioning a suspect for the first time.
Senta, signor Manuli, qui non si tratta soltanto di inquinamento.
Listen Mister Manuli, it's not just a matter of pollution here.
-Si tratta di omicidio!
-It's a matter of murder!
Captions 22-23, Il Commissario Manara - S1EP6 - Reazione a Catena
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Trattarsi di is commonly used to answer the question, “What’s it about?” or sometimes, “What is it?” In fact trattarsi di is often used in the question itself:
Di che cosa si tratta?
What does it concern?
What does it deal with? (note the similarity with avere a che fare)
What’s it about?
What is it?
Si tratta di una conferenza sul razzismo.
What it is, is a conference about racism.
It consists in a conference about racism.
When the subject is a generic “it,” we can use trattarsi di.
A good translation is tough to come up with, however, because in English we’d just say:
It’s a conference on racism.
It’s handy to be able to use trattarsi di in a question. When you get a phone call from someone you don’t know, or when strangers come to your house, your first question might be:
Di che cosa si tratta?
What’s this about?
Further learning:
This link takes you to a Yabla search of tratta. There’s one instance in which non si tratta della forma impersonale (it’s not about the impersonal form). Can you find it?
In this week’s episode of Commissario Manara, there are two instances of a turn of phrase that’s easy to miss when listening to Italian speech: avere a che fare con (to have to do with, to refer to, to be in relation to, to deal with). Lots of little words all in a row, and when the third person singular present tense is used, mamma mia! It can be difficult to hear ha a in ha a che fare con... But if you know what to listen for, it gets easier. It’s actually not so difficult, because the verb is always avere (to have), which is conjugated according to the subject and time element, and the rest of the expression doesn’t change. Remember that fare means both “to make” and “to do.”
Manara is questioning a suspect:
Lei ci ha detto di non aver mai conosciuto Sianelli
You told us that you'd never met Sianelli
e di non avere mai avuto a che fare con
and that you had never had anything to do [been in trouble] with
la giustizia, giusto?
the law, right?
Captions 6-7, Il Commissario Manara - S1EP6 - Reazione a Catena
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Later he reports his findings to Lara.
E quindi siamo sicuri che ha già avuto a che fare con
And so we're certain that he'd already had dealings with
la vittima in passato.
the murder victim in the past.
Caption 53, Il Commissario Manara - S1EP6 - Reazione a Catena
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Avere a che fare is rather informal and personal. The subject is accounted for. There's another more impersonal way to say pretty much the same thing: si tratta di (it's about, it has to do with, it means), which we'll cover in another lesson.
Quando vado in città, ho a che fare con tutti tipi di persone.
When I go to the city, I deal with all kinds of people.
The subject can be an idea or fact rather than a person:
La conferenza ha a che fare con il razzismo.
The conference has to do with racism.
This turn of phrase is especially effective in the negative: Remember that double negatives are quite acceptable in Italian.
Non voglio aver niente a che fare con quel tizio.
I don’t want to have anything to do with that guy.
Questo pesto non ha niente a che fare con quello genovese.
This pesto has nothing in common with the Genovese kind.
Just for Fun:
Questa lezione ha avuto a che fare con un’espressione comune e informale. Una futura lezione avrà a che fare con altre espressioni che vogliono dire più o meno la stessa cosa. Quando ho a che fare con una nuova espressione, cerco di ripeterla tante volte durante la mia giornata, così diventa parte di me. Non ho a che fare con un cervello giovanissimo! Non vorrei aver niente a che fare con persone che non vogliono imparare.
This lesson was about a common and informal expression. A future lesson will deal with other expressions that mean more or less the same thing. When I’m dealing with a new expression, I try repeating it lots of times during the day. I’m not dealing with a super young brain! I wouldn’t want to have anything to do with people who don’t want to learn.
This week Yabla features an interview with a poliziotto (policeman). Nicola gives us some insight into what it really means to be a policeman.
Sono un agente di Polizia da ventitré anni.
I've been a police officer for twenty-three years.
Caption 2, Nicola Agliastro - Poliziotto
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But what brand of policeman is he? In Italy there are different categories of police, with different roles, rules, and uniforms.
Judging from the sign at the Commissariato (police headquarters) at the beginning of the video, Nicola appears to be part of the Polizia di Stato (state [national] police), which is the main, national police force. They are responsible for patrolling the autostrade (highways), ferrovie (railways), aeroporti (airports), and la dogana (customs). Their vehicles are blue and white (see thumbnail of video).
If you subscribe to Yabla, you’re quite familiar by now with La Polizia di Stato, since the popular series Commissario Manara takes place in that environment (in fact, there's a new segment this week!).
Luca and Lara are usually in borghese (plainclothes), and wear their uniforms only on special occasions. At first glance Luca Manara doesn't quite look the part, and Ginevra, the medico legale (coroner), who doesn't look the part any more so, comments:
Tu devi essere il nuovo commissario, però non ne hai l'aspetto.
You must be the new Commissioner, but you don't look it.
Caption 62, Il Commissario Manara - S1EP1 - Un delitto perfetto
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La polizia municipale (local police force) on the other hand, works at a local level and is responsible primarily for traffic control, but also for enforcing national, regional, and local laws regarding commerce, legal residence, pets, and other administrative duties. The officers of the municipal police aren’t automatically authorized to carry weapons, since public safety is generally relegated to the Polizia di Stato. The municipal forces may be called polizia comunale (community police), polizia urbana (town police), or polizia locale (local police). They’re commonly called vigili urbani (town guards), but the correct nomenclature is agenti di polizia locale. Their vehicles depend on local tastes and traditions, and differ from town to town, and from region to region.
If you’re in Italy and you lose your wallet, or something gets stolen, you go to the Carabinieri to report the theft or the loss. They file a report, and make it official. When you’re driving, the Carabinieri may have you pull over for a routine checking of license, registration, and proof of insurance. If you have reason to believe there is a crime being committed, call the Carabinieri.
The police emergency number is 113, equivalent to 911 in the United States.
Here’s hoping you never need it!
Another important police force is la Guardia di Finanza (financial guard). The Guardia di Finanza deals primarily with financial crime and smuggling, and is the primary agency for suppressing illicit drug trade. They work on land, sea, and in the air. These are the agents who might ask you to produce a scontrino (receipt) upon exiting a shop, restaurant, or bar. The customer, since 2003, no longer incurs a fine, but it’s still good practice to hang on to your receipt until well away from the place of business.
These agents wear grayish green uniforms with the insignia of a yellow flame on the shoulder. Because of this, they are sometimes called le fiamme gialle (the yellow flames).
Whichever kind of policemen you see around, be they carabinieri, vigili, agenti di polizia locale, poliziotti, or fiamme gialle, remember they're there primarily to help, not to give you trouble.
The word “right” has several different meanings, and some interesting history. See this entry about its etymology. It stands to reason that if we look at some of the words that mean “right” in Italian, like retto/retta, destro/destra, diritto/diritta, ritto/ritta, it will be just as interesting. As a matter of fact, both the English “right” and the Italian retto come from the Latin recto/rectum.
Let’s start where “right” and retto meet most clearly: in geometry. Quite simply, un angolo retto is a right angle, made of two perpendicular straight lines (so the fact that retto in Italian, and recto in Latin mean “straight” makes sense). In fact, “rectangle” in older English meant “right angle.” In modern usage, a rectangle is made of 4 right angles. Rettangolo when used as an adjective refers to a right-angled triangle, but when it’s a noun—un rettangolo—it’s a rectangle!
And, since retto is an adjective, the ending changes to agree with the noun it’s modifying (angolo is masculine). Retto is commonly found with its feminine ending, as in la linea retta (the straight line).
Puoi viaggiare in tondo oppure andare in linea retta
You can travel in a circle or go in a straight line
Caption 45, Radici nel Cemento - La Bicicletta
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It can even be used by itself as a noun: una retta (a straight line).
Rettilineo is another way of saying “straight,” or “rectilinear,” and can be used (in racing, or referring to maps) as a noun—il rettilineo meaning “the straight road” (as in “homestretch”).
When referring to “left” and “right,” we use sinistra and destra, and here too there’s a connection because, in Renaissance Italy, destro (right) also meant retto (straight).
When we’re referring to the opposite of sbagliato (wrong), we use giusto to mean “right” or “correct,” but a less common way to say giusto is retto.
One way of doing things right is seguire la retta via (to follow the straight and narrow).
The real reason for all this etymology is to make sense of the expression dare retta (to pay attention, to listen to, to obey, to heed). If you think about asking someone to agree you’re “right” about something, (and then to do as you say), it makes sense. There’s no one right way to translate dare retta, but hopefully these examples will give you the idea.
Se vuoi essere felice come un tempo dammi retta
If you want to live happily like in the past, do as I say!
Caption 43, Radici nel Cemento - La Bicicletta
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E va be', però non bisogna dar sempre retta alle chiacchiere.
And OK, but you shouldn't always believe the gossip.
Caption 68, Il Commissario Manara - S1EP5 - Il Raggio Verde
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If your child, dog, or horse doesn’t do as you ask, you might say:
Non mi dà retta.
He doesn’t listen to me (he doesn’t obey me).
Please see WordReference or some other dictionary for other (unrelated) meanings of nouns retto and retta. And note that retto is also the participle of reggere (to withstand, to hold up)!
As you saw at the beginning of this lesson, retto and retta are only two of the words connected with “right.” Retto isn’t far from ritto (erect, vertically straight) or diritto (straight, direct). But we’ll save that for another lesson.
In a nutshell:
Retto is used as an adjective (changing its ending according to what’s being modified):
retto (straight)
un angolo retto (a right angle)
la retta via (the straight and narrow)
rettilineo (straight)
As a noun:
la retta (the straight line)
dare retta (to heed, to pay attention to, to obey)
il rettilineo (the straight line, the straight road)
Just for fun:
Per stare sulla retta via, cerco sempre di dare retta alla mamma. Porto a passeggio il mio cane, ma non mi dà quasi mai retta. Lo porto sempre in una strada rettilinea, ma lui vorrebbe andare in tondo. Quando torno a casa, devo fare i compiti. Geometria! Devo ricordarmi che un triangolo rettangolo è fatto di un angolo retto, più una retta, ma che un rettangolo è fatto da quattro angoli retti. Faccio qualche disegno per aiutarmi, ma senza righello, non sono bravo a tracciare una retta. Tu riesci a disegnare una linea retta senza righello? Se do retta al mio istinto, dico che non sono portato per la geometria.
To stay on the straight and narrow, I always try to obey my mom. I take the dog for a walk, but he hardly ever does as I say. I always take him on a straight road, but he would like to go in a circle. When I get back home, I have to do my homework. Geometry! I have to remember that a right-angled triangle is made of a right angle plus a straight line, but that a rectangle is made of four right angles. I make a few drawings to help me, but without a ruler I’m not good at drawing a straight line. Can you draw a straight line without a ruler? If I listen to my own instincts, I’ll say I’m not cut out for geometry.
Ferragosto (August 15th) is one of the most important and respected holidays of the year in Italy. It's also a religious holiday, the Feast of the Assumption, a very important holiday for Catholic countries like Italy, and so there's something for everyone: beach, barbecues, religious processions, fireworks, horse races—you name it.
In recent years, things have changed somewhat. Lately, people have had less money to spend on long vacations, and laws have changed, allowing stores to stay open on holidays, so there's a bit more city life than there used to be. Still, Ferragosto is not when you want to get a flat tire (forare), or a toothache (mal di denti).
Le strade sono deserte, le serrande sono chiuse (streets are deserted, stores are shuttered). You'll see signs on those closed serrande saying chiuso per ferie (closed for vacation). Ferragosto is also one of the hottest holidays, full of sun and blue skies. People want to be at the seaside.
In a video about the culinary arts, an art critic mentions gli anni di piombo (the years of lead), the sad and scary seventies when terrorism was an everyday reality in Italy, and there was gunsmoke in the air. He gives us this image of Milan:
Sembrava che la nebbia ci fosse anche a Ferragosto.
It seemed as though there was fog even at Ferragosto (national holiday on August 15th).
Caption 26, L'arte della cucina - L'Epoca delle Piccole Rivoluzioni
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Luckily, these days Ferragosto is much calmer. In fact, Ferragosto (which can also refer to the days around the 15th of August) is the time of the year in Italy when it's hard to get certain things done because so many shops and services are chiusi per ferie. Small commissioni (errands, tasks) can get complicated, such as:
comprare il pane (buying bread)
portare la macchina dall'elettrauto (taking the car to the auto electrician)
farsi i capelli dal parrucchiere (getting your hair done at the hairdresser's)
mangiare al tuo ristorante preferito (eating at your favorite restaurant)
andare in palestra (going to the gym)
comprare l'aspirina per il mal di testa (buying aspirin for your headache)
pagare l'assicurazione della macchina (paying your car insurance)
prendere un appuntamento col dentista (making a appointment with the dentist)
spedire un pacchetto alla posta (mailing a package at the post office)
chiamare un corriere (calling a delivery service)
fare riparare la lavatrice (getting your washing machine repaired)
Italians worry about what supermarkets might or might not be open on and around Ferragosto, and they stock up on acqua minerale (bottled mineral water), birra (beer),salumi (cold cuts), carbonella (charcoal), crema solare (sunblock), and molto ancora (lots more) before heading for il mare (the seaside).
Before wishing you buone ferie, a quick reminder about le ferie. It's a noun, always used in the plural to indicate time off, leave, or vacation.
If you've kept up with Commissario Manara, you'll know how thrilled he was to finally have some ferie (time off), but invece (instead) he had to stay put and solve a crime.
Ho dovuto sudare sette camice,
I had to sweat seven shirts [I had to go to a lot of trouble],
ma alla fine la tua settimana di ferie eccola qua.
but in the end, your week of vacation, here it is.
Captions 20-21, Il Commissario Manara - S1EP6 - Reazione a Catena
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It's very easy to confuse the meaning of the adjective feriale, which refers to just the opposite situation. Giorni feriali (workdays) include Saturdays, but not giorni festivi (Sundays and holidays). These terms are very important when you're parking your macchina (car) in order to avoid getting una multa (a fine or ticket).
So whether you're spending your ferie (time off) a casa (at home) or going in vacanza (on vacation) someplace exciting, or even if you're working, here's hoping you can relax and enjoy the rest of the summer.
Yabla non è chiuso per ferie! (Yabla is not closed for vacation!)
Just for fun:
Here is an article to help you get a feel for the Ferragosto spirit:
Before getting to il nocciolo (the kernel) of this lesson, let’s get a little background.
Dunque is primarily a conjunction similar to allora (in that case, at that time, so, well), quindi (therefore, so), and perciò (for this reason).
E dunque dovrei andare con il sette.
And so (therefore) I should go with the seven.
Caption 27, Daniela e Francesca - Briscola - Regole del gioco
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E dunque, per me essere madre vuol dire parecchio...
And well, for me being a mother means a lot...
Caption 18, Essere... - madre
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But to get to the point, the crux, the heart of this lesson: dunque is also used as a noun in the expressions venire al dunque (to come to the point), andare al dunque (to get to the point), and arrivare al dunque (to get to the point). It means getting to the reason for the conversation, or the real subject. It’s a good expression to know when the conversation is dragging on, or if you need a quick conclusion. In this episode of Commissario Manara, Luca is questioning someone and doesn’t want to waste time beating around the bush.
Le dispiace se andiamo subito al dunque?
Do you mind if we get right to the point?
Caption 6, Il Commissario Manara - S1EP6 - Reazione a Catena
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Be careful how and when you use this expression, because it implies impatience. However, you can also use it to refer to yourself, when you want to be concise.
Vengo subito al dunque.
I’ll get right to the point.
Dunque stands for “the reason for this conversation or this meeting,” and is part of an idiomatic expression. When referring to the point itself, punto (point) does the trick just fine.
Però non è questo il punto, zia.
But that's not the point, Aunt.
Caption 63, Il Commissario Manara - S1EP3 - Rapsodia in Blu
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Another alternative is nocciolo. Il nocciolo is the kernel or pit of a peach or other fruit. It’s the heart of the matter. Note that the accent is on the first syllable. If we put it on the second syllable it becomes a hazelnut tree!
Arriviamo al nocciolo della faccenda.
Let’s get to the heart of the matter.
Practice:
Try starting out your thoughts with an introductory allora (well, so), and then repeat the sentence using dunque, to get the feel of that. In this case, dunque becomes one of those words to use as a filler, when you’re thinking of what to say. See this lesson on using allora as a filler word. Then try using dunque in a sentence, where you might put the more common quindi (therefore, so). Do a Yabla search for some examples.
Pretend you’re in a meeting that’s getting out of hand. Learn some of the expressions above (using the verbs arrivare, andare, venire) so that they’re ready when you need them.
Just for fun:
Dunque, sarebbe meglio arrivare presto al dunque, perché siamo già andati fuori orario. Qual’è il nocciolo della questione, dunque?
Well, it would be better to get to the point soon, because we’ve already gone overtime. So, what’s the crux of the matter?
We talked about the subjunctive together with the conditional in a previous lesson. But there are other cases in which we need to use what’s called il congiuntivo (subjunctive mood). Certain verbs, usually having to do with some kind of uncertainty, “kick off” the subjunctive. This means that they are conjugated normally in the indicative themselves, but if they precede a conjunction like che (that), then the subjunctive comes into play with the verb that follows.
These particular verbs express wishes, thoughts, beliefs, worries, and doubts. Here are some of them:
accettare (to accept), amare (to love), aspettare (to wait), assicurarsi (to insure), attendere (to wait for), augurare (to wish for), chiedere (to ask), credere (to believe), desiderare (to desire), disporre (to arrange), domandare (to ask), dubitare (to doubt), esigere (to require), fingere (to make believe), illudersi (to delude oneself), immaginare (to imagine), lasciare (to leave), negare (to negate), permettere (to permit), preferire (to prefer), pregare (to pray), pretendere (to expect), rallegrarsi (to rejoice), ritenere (to retain), sospettare (to suspect), sperare (to hope), supporre (to suppose), temere (to fear), volere (to want).
It’s a daunting (and partial) list, but you can learn them gradually, on a need-to-know basis.
The issue of the subjunctive arises when we have a main clause and a dependent clause. The two clauses, or parts of the sentence, are often connected by che (that). There are other conjunctions, but once you learn how to use che, it’ll be easier to use the other conjunctions.
Let’s focus on a relatively simple sentence from this informative and popular Yabla interview with Silvia D’Onghia, a journalist, who obviously loves her job. At the end she says:
Credo che sia il lavoro più bello del mondo.
I believe that it's the greatest job in the world.
Caption 58, Professioni e mestieri - Silvia D'Onghia, giornalista
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Note that in English no subjunctive is necessary here, and we could leave out “that.” Sia is simply the subjunctive of essere in the present tense. If you look at any conjugation chart, for example here, the subjunctive conjugation is the same in the first, second familiar, and third persons. Silvia’s comment provides us with a convenient formula to work with:
verb kicking off the subjunctive (credere) + che + verb in the subjunctive (essere)
Try using different verbs from the list above in place of credere. You can have fun with this while trying to have the sentence make sense. You’re simply replacing the main verb (conjugated normally), while the rest of the sentence stays the same. The idea is to get used to using the subjunctive so that it feels natural to you when using the appropriate verbs. Once it feels natural, you can go on to change other elements of the model sentence.
We can easily change the person in the main clause (this time it’s a reflexive verb!), but the subjunctive part of the sentence stays the same as in the model:
Ci illudiamo che sia il lavoro più bello del mondo.
We’re deluding ourselves that it’s the greatest job in the world.
Spera che sia il lavoro più bello del mondo.
She hopes that it’s the greatest job in the world.
Advanced learners might want to replace the verb in the subjunctive with fare (to do, to make) or avere (to have), for example:
Credo che faccia il lavoro più bello...
I believe that I do the greatest job...
Or:
I believe that he does the greatest job...
Credo che abbia il lavoro più bello...
I believe that I have the greatest job
Or:
I believe that she has the greatest job...
As mentioned above, the subjunctive is the same in the third person and the first person (which makes it easy, but can also cause confusion). You can add the personal pronoun for clarity if need be:
Credo che lui abbia il lavoro più bello...
I believe that he has the greatest job...
Further exploration:
Do a Yabla search of sia. Does che or some other conjunction precede it? Look for the verb that kicks it off. You’ll recognize many of the verbs from the list above.
Noi di Yabla speriamo che tu abbia capito questa piccola lezione sui verbi che prendono il congiuntivo, ma immaginiamo che non sia facilissima da mettere in pratica. Desideriamo che tutti voi siate felici di imparare con noi!
We at Yabla hope that you have understood this little lesson about verbs that take the subjunctive, but we can imagine that it isn’t all that easy to put into practice. We would like you all to be happy to learn with us!
When you’re feeling things in such a way that they seem to be “on top of you,” they’re addosso, like in this Lorenzo Jovanotti song.
L'estate addosso
Summer [is] upon us
Un anno è già passato
A year has already gone by
He’s talking about the summer season, but also the weight (and heat) of summer. We might even say he feels it on his shoulders or back. Addosso can mean on top, right nearby, but definitely close (in time or space), close enough to be breathing down your neck. It can even be so close as to be inside you.
This somewhat peculiar word has a little history. Dosso is a rather archaic way of saying dorso (back, spine). Remembering this will help in assimilating addosso and di dosso (off of). As a noun, dosso by itself is used when talking about geological formations (bumps or hills), or in la segnaletica stradale (road signs) to indicate a bump or a rise.
Dosso usually gets together with a preposition to be transformed into a compound preposition/adverb: addosso. If there’s an indirect object in the form of a noun, as in the following example, we need the preposition a (to).
Il ramo è caduto addosso ad un bambino.
The branch fell onto a child.
If we use an object pronoun, we have:
Il ramo è caduto addosso a lui.
The branch fell onto him.
To make the sentence flow better, we can turn it around, employing the famous combination: indirect object pronoun + preposition (if this is unfamiliar to you, see Ci Gets Around - Part 1 and Ricordare: Remembering and Reminding). A lui (to him) becomes gli (to him):
Gli [a lui] è caduto il ramo addosso.
The branch fell on top of him.
In this case, we generally find addosso at the end of the sentence or clause, and the object pronoun will be elsewhere.
Eh sì. Infatti, lui ci ha rovesciato tutto il vassoio addosso.
Oh yes. In fact, he even spilled the contents of the tray on top of us.
Caption 36, Anna e Marika - Il verbo essere
Play Caption
Related words:
Di dosso (from your back, off your back), usually used with a word meaning “to remove” such as togliere or levare:
Me lo sono levato di dosso.
I got it off my back [I got rid of it].
Toglimi le mani di dosso.
Take your hands off me.
Addossare isn’t very common in normal conversation, but means something along the lines of “to lean.” It’s used when talking about blame or responsibility:
addossare la colpa
to lay the blame
addossarsi la responsabilità
to take responsibility
Indossare (to wear, to put on, literally “to put on one’s back”):
Indossava una sciarpa rossa.
She was wearing a red scarf.
In a nutshell:
When referring to “on,” we use addosso
When referring to “off,” we use di dosso
Addosso will need the preposition a (to), which may be hidden in the object pronoun.
Di dosso, on the other hand, already has its (detached) preposition: di (of).
The most common related verb form is indossare (to wear).
A Yabla video search of addosso will give you some good examples of how it’s used.
Just for fun:
Stavo facendo un giro in bicicletta. Indossavo una maglia colorata, e quindi ero ben visibile, ma nonostante ciò, una macchina mi è venuta proprio addosso e sono cascato. Poi la bici stessa mi è cascata addosso. Non sono riuscito subito a togliermela di dosso. L’autista non mi ha aiutato e neanche voleva addossarsi la responsabilità. Ogni tanto, questa cattiva esperienza me la sento ancora addosso.
I was taking a bike ride. I was wearing a bright jersey, and so I was quite visible, but in spite of that, a car bumped right into me and I fell off. Then the bike itself fell onto me. I wasn’t able to get it off me right away. The driver didn’t help me, nor did he want to take responsibility. Every now and then, I still feel this bad experience inside of me.